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Click to advance or let it run by itself. Frederick Tristan Writer and Graphic Artist My first words as a teacher warned my students that iconology is.

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Présentation au sujet: "Click to advance or let it run by itself. Frederick Tristan Writer and Graphic Artist My first words as a teacher warned my students that iconology is."— Transcription de la présentation:

1 Click to advance or let it run by itself

2 Frederick Tristan Writer and Graphic Artist My first words as a teacher warned my students that iconology is not the study of images but of invisible signs nestling in the secrecy of images. Poetry is only ever expressed in the interval between words. Elsewhere (and so close), science uses figures and perspectives, those distances, to adjust reason and meanings to sidereal giddiness.

3 Frederick Tristan My black inks on white try to surprise the trace of invisible vibrations and structures in the dimension of the visible. Asceticism and epiphany of the sketch. The sleepwalking line discovers an abstract, humble and sensitive form, both writing and bridge between interior and stellar spaces. The beings cavern lives in the great depths. Of the psyche as well as in universal abysses. Testimony of the eye at its tip: this side of or beyond the eye are here. There is no intellectual and sensory frontier between a body and the spatial and temporal stretch, between the interior and exterior of the living. The enigma of thought offers the veracity of an imprint added to the mystery of the All. Science and art come together in this paradox.

4 The ink is a dream traced by the hand.

5 I love drawings spontaneity. The brush lets me express other climates, other sensations, but I am a writer even when I am painting.

6 Representing something means confiscating, destroying it. That is why my drawings are abstract or oneiric.

7 The Ink is a dream traced by the hand, sometimes independent of any intelligence but in its innocence, so complex, that it makes the secret of being.

8 My black inks on white try to surprise the trace of invisible vibrations and structures in the dimension of the visible. Asceticism and epiphany of the sketch.

9 The sleepwalking line discovers an abstract, humble and sensitive form, both writing and bridge between interior and stellar spaces.

10 The beings cavern lives in the great depths. Of the psyche as well as in universal abysses. Testimony of the eye at its tip: this side of or beyond the eye are here.

11 To try to flush out the really illegible, the best language is skewed, a telling trompe-loeil, on which all hardy arrows break before reaching their target. Hence: the invisible is naturally more accurate than the visible as it ignores omnipotent appearance.

12 The enigma of thought offers the veracity of an imprint added to the mystery of the All. Science and art come together in this paradox.

13 Elisabeth Alimi Photographe Univers et Mystère Lunivers invisible de lartiste réside dans lénigme hallucinante et incessante qui imprègne son œuvre. Latent et indicible, il est de lordre du sensible comme de lintemporel. Loeil curieux de lobservateur le traverse à son tour avec sa propre histoire pour lui donner une nouvelle figure dexpression jusquà linfini des visions. Voici huit œuvres qui mélangent des images dans dinvisibles univers, les six en noir et blanc expérimentent pour la première fois la main de lécrivain lié à lœil du photographe, ces derniers ont vu le jour grâce à lidée qui a germé de façon fulgurante dans lesprit de Frederick Tristan en visualisant, une fraction dune de ses encres au dos de mon boitier numérique.

14 Elisabeth Alimi Photographe Son imaginaire prodigieux na fait quun tour et voici quil me propose au détour dune prise de vues classique, dassembler les pièces dun puzzle original composé de débris de mes photographies et de fragments de ses compositions. Cette invitation qui ma fort honorée mest apparue comme une évidence, une variation prémonitoire, propice au mystère de sa métamorphose : la rencontre insolite dune échappée scripturale et dune errance photographique en un même lieu, dont les points de ralliement se seraient reconnus au-delà de leurs auteurs et au-delà, de leur destin initial. Cest ainsi que je puis expliciter ces sortes de mutations créatives à la croisée des regards pour réinventer des univers à linfini appelés métissages.

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