Maria West-Side Story Appuyez sur F5 puis sur le haut- parleur pour lancer le diaporama.

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Transcription de la présentation:

Maria West-Side Story Appuyez sur F5 puis sur le haut- parleur pour lancer le diaporama

Introduction The most beautiful sound that I ever heard Cuivres discrets (Maria, Maria, Maria) Effets d’écho et spatialisation du son All the beautiful sounds of the world in a single word (Maria, Maria, Maria, Maria, Maria, Maria) Effets d’écho et spatialisation du son Le décor: Les remplages de la baie à l’arrière-plan utilisent utilisent des formes et des ornements issus de la période gothique : - arcade en ogive - quadrilobes

Couplet 1 -Utilisation de la mélodie associée à Maria (leitmotiv de Maria), entendue la 1 e fois pendant la danse de Tonny et Maria. - Cette mélodie est celle de la 1 e danse de Tony et Maria - Le chant est doublé par les cordes - Rythme de habanera – joué par les contrebasses en pizzicato. Maria! I just met a girl named Maria And suddenly that name Will never be the same To me Le décor: passage du dancing aux rues du quartier du West- Side.

Couplet 2 - mélodie = Leitmotiv de Maria - chant doublé par les cordes - Rythme de habanera Maria I ‘ve just kissed a girl named Maria And suddenly I found How wonderful a sound Can be

Couplet 3 Maria Say it loud and there's music playing Nuance forte: « say it loud » Decrescendo Say it soft and it's almost like praying Nuance piano: « say it soft » Maria, I'll never stop saying Maria

Pont Les cordes jouent la mélodie La voix se charge du contrechant Maria, Maria, Maria, Maria, Maria, Maria, Maria

Couplet 4 // couplet 3 Maria Say it loud and there's music playing Nuance forte: « say it loud » Decrescendo Say it soft and it's almost like praying Nuance piano: « say it soft » Maria I'll never stop saying Maria

Conclusion // introduction Rappel de l’introduction Longues tenues aux cordes The most beautiful sound I ever heard Maria